Arthur J. Trory Photograph Collection
Special Collections and Archives
Arthur J. Trory Photograph Collection
Special Collections and Archives
Arthur J. Trory Photograph Collection
The Arthur J. Trory Photograph collection
The Early Years, 1895-1927
Exhibition Catalogue, 1976
Exibition Dates:
October 30, - November 12, 1976
The Student Center Art Lounge
Kent State University
Kent, Ohio
Contents:
Exhibition Catalogue Information
Progress Report:
The Prints
The Negatives
Camera Equipment
Flood of 1913
Bridges
Portraits
Kent Opera House
Project Director
Ralph L. Harley, Jr.
Assistant Professor of Art History
School of Art, Kent State University
Contributors to Catalogue
Betty Trory McCormick
Rebecca Fosnaugh Budd
Jane E. Farver
Deborah A. Figley
Susan E. Hrivnak
Susan Klein
Mark J. Manenete
Anne Rohrbaugh
Doreen E. Swensen
Sponsored by The Kent American Revolution Bicentennial Commission with cooperation from the Ohio American Revolution Bicentennial Commission. This project was also made possible through the support of The George Gund Foundation of Cleveland, John Davey Foundation of Kent, and Kent State University.
Printed by Kent State University Publications The Arthur J. Trory Photograph Collection: The Early Years, 1895-1927 Exhibition Catalog is a Special Bicentennial Edition limited to 1000 copies. It is available at The Kent State University Library, as well as Special Collections and Archives where the original and reproduced photographs are housed.
* Web editor's note: The exhibition's photograph reproductions are separate from the Arthur J. Trory Photograph Collection, and thus do not follow the same numbering scheme. A complete list of the 200 photographs used for this 1976 exhibition can be found in the Exhibition Catalogue.
ARTHUR J. TRORY PHOTOGRAPH COLLECTION
The Early Years 1895-1927
Introduction
by RALPH L. HARLEY, JR.
Assistant Professor of Art History
School of Art, Kent State University
He was a man of unlimited enthusiasms and had an insatiable interest in people, nature and life in general. In his eighty-eight years he had acquired and enjoyed a multitude of friendships of fellowman from all walks of life. He expressed surprise that the Good Lord should have allowed him to live so many good years and enjoy every minute of it. A few minutes before his death he looked out the window at early morning sunshine and said, "Isn't this a beautiful morning? It's going to be my kind of a day."Betty Trory McCormick
During the past decade photographic history has been undergoing reappraisal. This changing perspective has given rise to an interest in regional developments and the discovery of large bodies of work produced by serious amateurs. The materials of Arthur J. Trory are among the more important collections. They represent seventy-eight years of continuous photographic activity by a single amateur. The subject of this exhibition is Trory's early interests as imagemaker and collector. It has been prepared especially for America's Bicentennial.
Arthur J. Trory's life coincided with the second phase of amateur photography: the snapshot. He was born at Lyons, Ohio, in 1879, the same year that George Eastman made the dry plate process practical. The Eastman Dry Plates, followed by the hand-held camera, triggered the revolution in amateur photography that was well underway by the time Trory received his first camera at age ten.
Entries in his diaries and a journal of newsclippings indicated that Trory actively photographed in Kent and its environs as early as 1896. Newspapers in Northeastern Ohio were publishing his prints. Indeed, before he was twenty, Trory had collected some 1300 photographic prints and was recognized as one of Ohio's finest amateur photographers. Through the next sixty-eight years this interest in photography was sustained. After retirement in 1949, he continued to take photographs, attempted to organize his collection, and in some instances reprinted older negatives, forming what has become known as The Arthur J. Trory Photograph Collection. On Thanksgiving Day, 1967, Trory made his last photographs at age eighty-eight, two days before his death, bringing to a close an extraordinary life-long avocational. involvement with photography.
Some believe that Arthur J. Trory was nothing more than an amateur. By definition this means only that one is a lover of the art. However, one might recall the observation of Helmut Gernsheim, the English photographer and historian: "Indeed the progress of photography in its picturemaking aspect has at every period been largely due to the work of serious amateurs." 1 The issue of Trory's photographic contribution then would seem to rest on our perception of the word "serious" as distinct from what has commonly been called the "pushbutton photographer."
Alfred Stieglitz in 1897 pointed out the dangers introduced by Eastman's readily available commercial materials which opened the way for "photographing by the yard."2 Bernard Shaw observed, "The photographer is like the cod, which produces a million eggs in order that one may reach maturity."3 These opinions do not describe accurately the photography of Arthur J. Trory.
Trory was a spontaneous recorder of life about him. At times he was an avowed photojournalist; at others, a genre realist; and, still others, a creator of mood. But, while he was prolific, he was not mindless. There existed in his early work a freshness and vitality balanced with a conscious sense of composition. Whatever the intangible matrix of creativity may be, he possessed a capacity to infuse his work with a personal artistry. The ability to "imbue ordinary subjects with artistic quality bearing a personal stamp" was by Gernsheim's definition the mark of a serious amateur.4 It was precisely this "personal stamp;quot; that established Trory's credibility as an imagemaker worthy of posterity's consideration.
The research that has produced this exhibition and catalogue began during Spring Quarter 1976, six weeks after the American History Research Center at Kent State University announced receipt of the Collection. Nine members of a graduate seminar on American Art History. 1893-1945, and a tenth student from the undergraduate section, elected the Collection as their term project. The uncatalogued material presented a rare opportunity for students to gain valuable first-hand experience with primary research materials housed on the campus, working within the confines of the course structure with additional guidance from archival staff. So vast was the material to be examined that research extended through the summer and is yet in progress.
From the project's inception, it was determined that the student should have the principal role in reporting the findings. Given the scope of material and the continual arrival of new information from the donor, however, it became evident that only a portion could be considered for exhibition. With these circumstances, the decision was made to present the early years, spanning the mid-1890's when Trory came to Kent, until 1927 when he and the family moved to Hudson, Ohio.
The progress report begins with Ms. Jane E. Farver's overview of the prints. It is followed by Ms. Doreen E. Swensen's discussion of the condition and types of surviving negatives and Ms. Deborah A. Figley's observations on the camera equipment. Ms. Farver and Ms. Swensen are graduate students in art history and studio art, respectively; Ms. Figley is an undergraduate art history major. Their reports are followed by Mrs. Rebecca Fosnaugh Budd's research into Trory's coverage of the 1913 flood, Mr. Mark J. Manente's dating of prints showing Kent bridges, Ms. Figley's interpretation of Trory's portraits, and conclude with the findings by Mrs. Anne Rohrbaugh and Susan E. Hrivnal on the Kent Opera House. Mrs. Budd and Mrs. Rohrbough graduate students in art history; Mr. Manenete and Mrs. Hrivnak are graduate students in art education. The closing statement is by Mrs. Susan Klein, graduate student in studio art.
The chronology of Arthur J. Trory's life has been prepared by Betty Trory McCormick, his daughter, and, Patricia McCormick Grant, granddaughter. The enthusiastic efforts of Mrs. McCormick to recall memories of her father and search for additional materials have made it possible to verify and expand the research.
Footnotes
1Helmut, Gernsheim, Creative Photography: Aesthetic Trends 1839 to Modern Times (Bonanza Books, NY, 1962), p. 118.
2"Alfred Steiglitz: the Hand Camera," The Art and Science of Photography, ed. Beaumont Newhall (Century House, NY, 1956), p. 134.
3Gernsheim. p. 116.
4Ibid., p. 119.
HOME | TOP OF PAGE | INTRODUCTION
The Arthur J. Trory Photograph Collection
American History Research Center: HarleyReprints
Boxes 59 - 63
Box 59
Box 60
Box 61
Box 62
Box 63
- The Opera House
- The Post Office
- Post Office Interior
- RCC Gymnasium
- RCC "Smoke"
- RCC Card Party
- RCC "Smoke" and Oyster supper
- F.W. Trory Drugstore, exterior
- F. W. Trory, exterior
- Fred Trory in his Drugstore
- Early Days Back of the Counter, 1800's
- Boys at the Soda Fountain
- The New Soda Fountain
- Sodas
- Mr. Watts and Mr. Mick
- Dealing Out Ice Cream
- Jo-Bo Hindu Hypnotist and Art Trory
- Malt Hops
- Fred and Charlie: Fisherman's Luck
- The Advertising Clown
- Ayers Cherry Pectoral
- A Happy New Year 1898
- Family Portrait, Wauseon
- Portrait of Arthur J. Trory
- Portrait of Arthur J. Trory
- Stow Foot Bridge
- Old Sill - Summit Street
- The Dam in 1896
- Main Street Bridge
- Two River Views between Stow and Main Street Bridges [2 copies]
- Brady Leap Bridge 1897
- Patton Swinging Bridge
- Mayor Patton and Mr. Fowler
- Man in Carriage
- Woman in Carriage
- Cunningham's Trotter
- Carriage and Drugstore Scene
- West Main Street - Methodist Church Before Street Car Time 1897
- High Wire Act
- High Wire: Lunch Hour
- Lunch Hour
- Kearney and Foot File Works
- The Smokestack
- Raising the Smokestack
- Smokestack Installed
- Factory Workers
- Kearney and Foot Rivet Works, Old Glass Factory 1898
- At the Ball Park
- Kent Ball Team 1897
- Fourteen Join Cleveland Grays Battalion
- Santiago's Surrender, Fireball, Kent, Ohio
- Community Celebration
- Celebration at Erie Railroad Station
- Politics Erie Yard 1898
- July 4 Erie Shops Flagraising
- Wells fargo - Erie Depot 1899
- Station Master
- Erie Railroad Coal Shoots, Kent, Ohio
- Train Wreck on C.C.&S. Tressel
- Train Wreck
- Steam Shovel, Brice Railroad, Kent, Ohio
- Inspecting Construction
- Stow Street Foot Bridge and new Bridge Abutment
- Stow Street Bridge Abutment
- Scaffolding for Stow Street Bridge
- Workman at Bridge Construction Site
- Portrait of Photographer
- Completed Stow Street Bridge
- Paving Main Street, Wauseon
- Main street, Hudson
- Mr. and Mrs. Andenson
- Portrait of Arthur J. Trory
- The Swells
- College Rooms, Ada, Ohio, 1900
- College Rooms, Ada, Ohio, 1900
- Ada, Ohio, January 2 - March 9, 1900
- College Rooms, Heller House
- Pastime While in College, January 20, 1900
- Miss Heller
- A Pleasant Corner, 1899
- Pharmacy Lab, December 1899, O.N.U. Ada, Ohio
- The Bakery Wagon
- Bakery Interior
- Mr. Ralph
- Fresh Bread
- Bakery Business 1900
- Downtown Kent Showing National Bank Cornerstone
- View of Crain Avenue Bridge
- View of Ne Stow Street Bridge
- West Bank North of Main Street Bridge
- Brady Leap Swinging Bridge, about 1900
- Abandoned Factories, West Bank
- Winter Photo Showing Bridge, old B&O Depot, with shute for trunks, also flagstaff, about 1900
- Two Views of North Water and Main
- The Watering Trough and North Water Street
- Load of Hay Overturns, 1897
- City Livery and West Main Street
- West Main Street and Streetcar Tracks
- View of Dam
- 1895 Box B&O Depot Car
- Skatin on River
- Old Rockwell Building
- Case Block, East Main. 1895
- Main Street East
- Baby Clarence Jordan
- On the Stump at Sandy Lake
- Woods and Lake
- Fortune Telling
- Gentleman and Ladies
- Two Young Ladies
- Art Trory and Friends at Stewart Glen
- Boaters on Lake
- Herma
- Three by the River
- Music at Herma's
- Walking the Plank
- Walking the Plank
- The Watchman
- Kent Fire Department
- Dr. Krappe's Office
- Smallpox
- Medina Rooms
- Portrait of A.J. Trory
- Self-Portrait
- Mabel - Kelso and Amy Geisinger
- Cal Salen's Party, July 4, 1904
- Mother and Father Trory and Mabel
- Our Apartment at Buchtel Hotel, Akron, 1905
- Fos-Fo - Rat Display
- Cutting Ice at Brady Lake, Kent, Ohio, A.J.T.
- Costume Party
- Young girl in Costume
- Chamber of Commerce Going to Cleveland Ball Game
- An Interior
- Howell Keith Stock Company at the Opera House
- Low Water When Dam Broke after 1913 Flood
- Repair of Small Lock for Mill
- On to Mexico, five images
- Autowreck at Railroad Crossing
- Victor Dog, Brady Lake
- Chessindia
- Balloon and Firetower
- Dirigible
- Normal Hill
- Entrance from East Main Street
- View of Forest donated by Mr. W.S. Kent
- Big Spring
- View of Kent from Clapp Farm
- Laying the Cornerstone of Kent Normal School
- Normal School
- Coed
- Coeds
- The Bookstore
- Bookstore, interior
- A.J. Trory in his Bookstore, Kent, Ohio
- Coeds Outside the Bookstore
- Dam in Winter
- High Water Flood, Cuyahoga River
- Flood Taken from Crain Avenue Bridge Area
- View of Flood from Crain Avenue Bridge
- Erie Train Delayed by Flood
- Broken Lock
- Two Men Watching Waters Rise to the South
- Cuyahoga River Flood, 1913: American Legion Building
- Water Rising to Floor of Stow Street Bridge
- Twelfth Company, Third Battalion
- Young Soldier
- Trenches, Camp Sherman
- Bayonett Practice
- Armistace Parade
- Armistace Parade
- Armistace Parade
- Armistace Parade
- Mabel and Infant Elizabeth
- Dr. Krappe's Nurse Lizzie and Elizabeth Jeanne Trory
- Elizabeth Jeanne and Victor Dog
- Elizabeth Jeanne and Victor Dog
- Elizabeth Jeanne and Victor Dog
- Elizabeth Jeanne and Victor Dog
- New Coat and Muff
- New Coat and Muff
- New Coat and Muff
- New Coat and Muff
- Little Drummer Girl
- Brown-eyed Susans
- Mason Tire and Rubber Company
- Grocery and Meat Market
- Armistace Day Parade
- Burning of the Spellman Ice House, Brady Lake, Jine 6, 1924
- Magic Gas
- Reflections
- Sunset
- Railroad Tracks
- West Main, winter
- Street Car Tracks, West Main, Winter 1921
- Moonlight
- Total Eclipse of Sun
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